Networking Research as Paradigm Shift: Opening the Door |
My post for @networkedres. Thanks to Sarah Quinnell for the invitation.
On Collaborative Blogging as Scholarly Activity. The Case of The Comics Grid. Part I.
Thank you to PhD2Published, who asked me to write these two posts for their site.
SOJOURNPOSSE * Are you inspired? » Of Powerpoint and the photopoetry of Ernesto Priego
With much thanks to Salina Christmas for this post!
The Hay(na)ku Postcard Project
A crowdsourced #poetry project… #paper
Transcribe Bentham: A Participatory Initiative
It’s alive! #UCLDH #crowdsourcing
On HASTAC Scholarship | HASTAC
My first @HASTACScholars blog post, a meta-post of sorts… ;) #UCLDH #HASTAC
UCL Centre for Digital Humanities » Blog Archive » HASTAC Scholars Program
Clairey Ross and I co-wrote a remixed version of the posts we had written originally for each of our blogs, and this is what came out. It was quick and fun and online! :) Thank you, Clairey, and thank you, UCLDH.
HASTAC Scholarship
HASTAC stands for Humanites, Arts, Science and Technology Advanced Laboratory. It is one of the most exciting online academic projects out there that I know of.
Based on the medieval model of the scholarly monk, academic research can often seem and in fact be solipsistic. Often the thoroughness required for postgraduate study hyper-specialises subjects and therefore leaves scholars with little time to actually communicate to others what they are doing.
The web is of course changing this dramatically, and even in an age in which “peer review” and “publish or perish” remain the terms to know, academic culture in the humanities is being quickly transformed. Teachers, researchers, librarians, academic administrators, university students and all possible combinations and variations thereof are now continually sharing publicly what they do and when, where and how they do it.
For people studying how Internet technology affects the way we do and think about things (and who study the Internet as a way or ways of thinking too), contributing to the social construction of knowledge inside and outside the brick-and-mortar classroom and library is not just a demand of the times, it is a natural, essential part of our research. HASTAC knows this well and is indeed, conceptually and pragmatically, an ongoing exercise in 21st century scholarship, blurring the borders between the institutional and the personal, the online and the offline, etc.
Therefore I am profoundly honoured to have been nominated and selected for the HASTAC Scholars Program. I’ll be one of more than 145 scholars from around the world who will share their adventures in digital academia through blog posts, tweets and other online resources. I am really proud and happy that my colleague Claire Ross and I will be representing University College London this year.
The 21st century scriptorium has many windows. It is not a room with a view but a room with many views; views that often juxtapose themselves. The screen and the keyboard (and often the screen as keyboard) can no longer be only at one single particular place and time on campus.
We all work from a particular situation in a specific location at a given time, but simultaneously there are hundreds, thousands of others working at their own desks in different countries, languages, time zones, disciplines. Establishing connections among us is not an end in itself; it’s merely the beginning.
The conversation continues.
Just out: THE CHAINED HAY(NA)KU PROJECT, curated by Ivy Alvarez, John Bloomberg-Rissman, Ernesto Priego & Eileen Tabios
This book is the result of a collective, collaborative effort. The book reflects the open, online nature of the poetic process. The genealogy of the project is reproduced in detail on its pages: blogging, email exchanges, comments on posts, etc. As a result this is as honest as poetry can get: there is no make up here, at least no extra make up: imagine a poetry anthology with behind the camera special features. Notions of authority, centrality, language, hierarchy, genre, art forms, geography are interrogated in practice in the collective creative efforts of dozens of contributors from around the world. If you are into art, digital media, social networking, blogging, electronic writing or poetry do give this little book a try. You won’t be disappointed.
The Chained Hay(na)ku Project, curated by Ivy Alvarez, John Bloomberg-Rissman, Ernesto Priego and Eileen R. Tabios. Click on image for more information. The original call for participations was posted here on June 24, 2007.
The book can be ordered from Meritage Press here.
Participants besides the curators: Ira Franco, Denise Duhamel, Ariana Mason, Maya Mason, Thomas Fink, Burt Kimmelman, Molly Diablo Mason, Sandy McIntosh, Joseph D. Haske, La Erika Garza-Johnson, Sam Arizpe, Rodney Gomez, Emmy Pérez, Airlie Rose, Jukka-Pekka Kervinen, John M. Bennett, Jim Leftwich, Horacio Castillo, Holly Anderson, Caroline Beasley-Baker, Lisa B. Burns, Amy Bernier, Majena Mafe, Natasha Narain, Mela Fitzgibbon, Jeff Harrison, Allen Bramhall, Anny Ballardini, Sam Bloomberg-Rissman, May Garsson, Adele Mendelson, Edna Cabcabin Moran, Hannah Newman, Ellie Haworth, Kate Studd, Lucy Morris, Holly Anderson, Caroline Beasley-Baker, Lisa B. Burns, Peg Duthie, Donna Carter, Neal Jettpace, Jean Vengua, Michael Fink, Margo Ponce, Lola Bola, Kristi Castro, Anne Froyen Mowery, Kaja Mowery, Jean Gier, Tom Novack, Candida Kutz, Jeff Hansman, Joselyn Ignacio, Kate Coulter, Liza Li, Mary Vezilich, Mike McGuire, Mardi May, Sally Clarke, Amanda Jackson, Paula Jones, Janet Jackson, Ginger Stickney, Liz Breslin, Kunal Dutta, Tom Lewis, mIEKAL aND, Audacia Dangereyes, Sheila Murphy, Maria Damon, Dirk Vekemans, Jim Piat, Halvard Johnson, William Bain, steve d dalachinsky, Gregory Severance, MD, Larissa Shmailo, Bob Marcacci, John M. Bennett, Patricia Carragon, Om Mani Padme Hum, hands proje, and Thomas Savage.
UCL Digital Humanities Blog » Blog Archive » UCLDH Posters!
The power of visual communication… in academia! #UCLDH
Day in the Life of the Digital Humanities 2010 - Taporwiki
On 18 March digital humanists from around the world will document what they do on that day of their lives.
