This is Butterfly Hunt, Ernesto Priego's Digital Scrapbook.
I have borrowed the title "Butterfly Hunt" from Walter Benjamin's section of the same name in Berlin Childhood Around 1900.
Here I share a variety of content. Lately I have been using this site to create a collection, scrapbook or journal of photos I have been taking with my mobile (skies, details from vinyl sleeves from my record collection, also some bookish stuff).
Unless it is indicated otherwise, the photos posted here have been taken by me. I try to post the sky photos in real time. Sometimes other kinds of stuff also appear here.
In the past I have also used this site to share links to interesting open access content by other authors, but now I usually do that elsewhere.
"Here words have presence only in so much as they are (literally) illumined from behind, just as we attain identity only retroactively, through a kind of perpetual process of catching up to ourselves". -Keep, McLaughlin and Parmar, 1993-2000
There are in fact several reasons, apart from purely autobiographical ones, why I am writing about comics. I have been bothered for a long time that it is nigh on impossible to see the original materials being analysed in most critical studies. Too many critics expect to take their descriptions on faith. Often they tell us their conclusion with only fragmentary quotations. When studying pieces of popular culture, very often they do not bother to note their sources. No dates, no edition numbers. It doesn’t seem to matter, since their description must be accepted. This is not a matter to be taken lightly. The way critics look at their materials is already conditioned by their theories of ideology and influence. If we want to question those theories, it is vitally important to be able to re-view those original materials.
Martin Barker (1989), “Thinking About Ideology and Comics”, in Comics: Power, Ideology and the Critics. Manchester and New York, page 5.